At the Controls

Compared to a modern digicam in the same price bracket, the controls on the Mavica FD88 are fairly spartan...

Just barely visible on the left side of the camera is a two-position up/down slider switch to set focus to Auto or Manual. In manual mode, focus is adjusted by spinning a ridged chrome metal ring around the lens that's not actually physically coupled to anything; it's just a rotary electronic input.

There are switches on the left side of the back panel there for turning the LCD illumination on or off, adjusting display brightness, and playback volume for the camera's beeps and video playback. Arranged vertically down the right-hand side are the zoom control (left for wide, right for tele), the power button with its bright green safety tab, and the eject button for the diskette. Fortunately disk ejection is manual so that even if the battery goes toes up, you can still pop the disc out and get your files to a computer via sneakernet.

The cluster of controls on the bottom center and left include a slider that controls whether the camera records stills, video, or is in playback mode. The "display" button toggles through the various settings on the viewscreen, depending on how much info you want cluttering the margins while you're trying to shoot.

The flash control toggles through On, Off, and Auto, while "Program" presets the exposure to favor various settings, or it can be left in the default Auto.

The "Picture Effect" button gave various JPEG adjustments. There was a B&W setting as well as a Negative one, the latter reversing the colors, as you'd expect.

There was also Sepia:

...and Solarize:

The round D-pad looking button was toggled upward to enter the camera's menu system on the screen and then for navigating around inside the menus.

There were toggles for the self-timer and macro modes (macro could focus surprisingly close on these, down to a couple inches).

Then there was the File submenu...

In there you had the disc tool for formatting or copying, the image size submenu for selecting resolution, the quality submenu to toggle between Fine and Normal JPEG compression, and "Rec Mode". The latter was interesting because it could be toggled between NORMAL, which just took a picture; VOICE, which let you record a short audio note with each still photo; and EMAIL, which saved a compressed 320x240 thumbnail along with each JPEG that was suitable for attaching to emails in the days of limited bandwidth.

Then there was the Camera submenu...

Digital Zoom let you toggle that feature off, which you should if you don't want to accidentally junk your resolution every time you try to take a long telephoto shot. White Balance lets you preselect for certain lighting conditions, although even back in '99 the Auto setting worked surprisingly well. Flash Level is what it sounds like, and Exposure gives you plus or minus 1.5EV of exposure compensation in .5EV increments.

I used the FD88 to shoot some of the first gun pictures I ever put on internet forums twenty years ago.

Playing with it today is a big nostalgia kick!

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